Utami Dewi Godjali: Art Born from The Silent Bonds of Imagination
Mahacaraka® Press
Utami Dewi Godjali's voice stands out in the complex realm of contemporary photography and alternative procedures. Utami is known for her highly personal narrative, brave experimentation, and quiet resilience, and she has forged her own path away from the commercial mainstream. Her tale is one of gradual progression, driven by intuition, inquiry, and an undying passion for creating. Through this conversation, we receive insight into her artistic soul, creative rituals, and the philosophy that underpins her work.
What initially inspired you to become an artist?
I've been interested in crafts since I was a child and aspired to attend art school. However, my parents were not supportive of that course, so I chose to pursue communications instead. My introduction to photography occurred in high school, when I joined a photography extracurricular club. That first experience ignited a desire that has been with me ever since.
How has your journey led you to where you are today? Is it consistent with your early dreams and expectations?
Academically, I established a foundation in photography through school activities and later at university. I also attended a lighting class, but the majority of my knowledge came from personal mentorship and hands-on experience. I began with wedding and documentary photography before switching gears in 2009 and became a freelance photographer. That's when I started experimenting with photography, creating portfolios and trying out new printing techniques. In terms of dreams, I previously wanted to be a journalist or a fashion photographer LOL... but fate had other plans for me, granting me unlimited creative freedom instead.
Was there a specific time when you knew you wanted to pursue a career in the arts?
Getting a finalist in the 3rd Bandung Art Contemporary Award 2013 was a watershed moment. I can't say I was really certain back then; it just felt good to be creating and sharing my work.
How do you normally get inspiration for your artwork?
Inspiration typically comes from occurrences in my immediate surroundings, particularly those involving women. Sleep! also plays an important role, I feel most alive in my dreams. Aside from that, music, literature, periodicals, animated films, exhibitions, and walks all stimulate my imagination.
Could you describe your creative process, from idea to finished work?
Every project has a unique rhythm. Some start spontaneously and evolve into long-term projects, while others begin with a distinct subject and a well-planned concept that includes research and sketching prior to implementation. I do not have a set recipe for making.
Please tell us about the narrative behind your photobook "Samana."
"Samana" was made to recall my imaginary friend, "si cantik," who had been with me since I was a child. She is gone the day before my wedding. The book became a method to commemorate her presence and say farewell.
What do you want the audience to feel or understand when they see "Samana"?
Although "Samana" is extremely personal, I learnt that imaginary friend is a widespread occurrence. Even if someone hasn't experienced one, the emotions and connections depicted in the book may resonate with their own feelings about loss, remembrance, or camaraderie.
You often experiment with different mediums and photographic approaches. Why is this significant to you?
I enjoy exploring and experimenting. It tests my patience and requires me to slow down in a world that moves too quickly. Working with alternate ways is similar to taking a breath.
Of all the works you've done, which one stands out as the most meaningful?
Each item is meaningful because it tells its own tale and journey.
Would you like to show your work or produce a photobook? Why?
Both are equally important milestones. Exhibitions allow for real-time encounters with audiences, whereas books provide a permanent record of one's artistic path.
What is your definition of art, and what do you believe its function is?
Art, to me, is everything around us. What we do, see, and experience. Its purpose is to bring delight, serve as a reminder, facilitate catharsis, and provide an abstract reflection of reality.
What is the funniest, most unusual, or memorable moment from your artistic journey?
It’s so much! Especially during media experiments, when the objective was to make "A" but it somehow morphed into “Z”, which was completely delightful. It's similar to shooting on film... always full of surprises.
What is the most difficult challenge you've experienced in your artistic journey?
Not every work is well received by audiences. But I've learnt that acceptance isn't always required; sometimes it's enough to just create and enjoy the journey.
What has been your proudest moment thus far?
Becoming a finalist in the 3rd Bandung Art Contemporary Award 2013 and being named one of the "30 under 30 Women Photographers" in 2014 were very proud occasions.
Do you have any upcoming initiatives or a big vision you want to achieve?
I'm currently advancing some ongoing projects. My overarching goal is simple: to live completely in "today" and "this moment."
If you were not an artist, what do you suppose you would do?
I’d probably be a housewife, though one who still finds joy in taking photographs. That role, in fact, is very much a part of my life today.
Finally, what message would you tell your younger self ten years ago?
Thank you for hanging on till today. Hug Memi! (Memi is my childhood nickname)
When conversing with Utami Dewi Godjali, one learns that her artistry is not only in the photos she takes, but also in the way she approaches life itself with curiosity, sensitivity, and an openness to all that is unexpected. Her journey exemplifies creative resilience, demonstrating that true artistry is less about obtaining perfection and more about keeping loyal to one's changing self. Her work encourages us to pause, contemplate, and even embrace our own ideas more freely.
